『Instruments of the Middle Ages and Renaissance』
The Early Music Consort of London/David Munrow
CD: EMI Records Ltd./Virgin Classics
Virgin Veritas×2
0946 3 85811 2 3 (2007) 2CD
Made in the EU
Instruments of the Middle Ages and Renaissance
CD 1 51:12
THE MIDDLE AGES
Woodwind
1. Shawm 1:55
Saltarerllo (Anon. 14th century, Italian)
DM: oriental shawm, AL: medieval trumpet, DC: nakers, CH: tabor, JY: tambourine
2. Reed pipe 1:02
Shepherd's tune (Traditional Syrian)
DM: reed pipe
3. Bagpipes 3:14
a) Cylindrical chanter
Saltarello (Anon. 14th century, Italian)
b) Conical chanter
Ballade 'Dame, se vous m'estés' (Guillaume de Machaut, c. 1300-1377)
DM: bagpipes
4. Bladder pipes 1:08
Pastourelle 'Au tans d'aost' from the *Chansonnier Cangé* (Anon. 13th century, French)
DM, JY: bladder pipes, DC: tambourin
5. Panpipes 1:13
Chanson à refrain 'A prisai qu(en chantant plour' from the *Chansonnier Cangé*
JT: panpipes
6. Transverse flute 1:34
Minnesinger melody 'Ach owê, daz nâch liebe ergât' (Master Alexander, late 13th century)
DM: flute
7. Six-holed pipe 1:55
Chanson pieuse 'Dou tres douz non' (Thibaut of Navarre, 1201-1253)
DM: six-holed pipe, JY: Jew's harp
8. Double pipes 1:21
Virelai 'Gracïeusette' (Jehan de Lescurel, fl. early 14th century)
DM: double pipes
9. Pipe and tabor 1:13
Dansa 'Ben volgra, s'esser poges' (Guiraut d'Espanha de Toloza, fl. 1245-65)
DM: pipe and tabor
10. Recorder 1:55
English Te Deum (Anon. c. 1300)
DM: alto recorder, OB: tenor recorder, JY: tenor recorder, GR: chime bells
11. Gemshorn 1:33
Chansonnette 'Quant je voi iver retorner' (Colin Muset, fl. c. 1200-1250)
DM: alto gemshorn, JY: lute
Keyboard
12. Portative organ 1:43
Madrigal 'Ay, sconsolato ed amoroso' (Vincenzo da Rimini, fl. mid 14th century)
CH: portative organ, OB: bass rebec
13. Positive organ 2:23
Estampie from the Robertsbridge fragment (English, c. 1320)
CH: positive organ
14. Hurdy-gurdy 1:39
Chanson 'Joliveté et bone amor' (Jehan d'Esquiri, 13th century)
CH: hurdy-gurdy
15. Clavichord 2:16
'Ellend du hast' (Conrad Paumann, c. 1410-1473)
CH: fretted clavichord
Brass
16. Trumpet 2:21
a) Clarion
Fanfare 'Untarn slaf tut den sumer wol' (Herman, Monk of Salzburg, fl. late 14th century)
ML: clarion
b) Buisine
Fanfare 'ad modum tubae' (Guillaume Dufay, c. 1400-1474)
ML, IW: buisines
17. a) Cowhorn 3:37
Ballade 'De moi doloureus' (Gillebert de Berneville, fl. 1250-80)
AL: cowhorn
b) Medieval cornett
'Das Nachthorn' (Herman, Monk of Salzburg)
ML: medieval cornett, DC: medieval triangle with rings
c) Slilde trumpet
Geisslerlied 'Maria muoter reinû maît (Anon. German, 1349)
AL: slide trumpet
d) Ensemble: medieval cornett, slide trumpet, alto shawm, tabor
Der Trumpet (Herman, Monk of Salzburg)
ML: medieval cornett, AL: slide trumpet, DM: alto shawn, DC: tabor
Strings
18. Harp 2:14
a) Metal strung
Lai 'Qui porroit un guierredon' from the *Chansonnier Cangé*
GR: harp with 'bray' pins
b) Gut strung
Dance tune (ascr. Tassin, 13th century)
CH: harp
19. Lyre 0:51
Goliard melody 'O Roma nobilis' (Anon. 11th century)
ES: lyre
20. Psaltery 1:01
Hymn to St Magnus 'Nobilis humilis' (Orkney Isles, 12th century)
GR: psaltery
21. Dulcimer 1:57
Madrigal 'Tanto soavemente' (Jacopo da Bologna, fl. 1340-?1386)
DC: dulcimer, ES: treble rebec
22. Lute 2:14
Madrigal 'Di novo è giunto' (Jacopo da Bologna)
JY: lute, OB: bass rebec
23. Mandora 1:23
Chanson 'Amours que porra' (Thibaut de Blason, 13th century)
JY: mandora
24. Long-necked lute 1:15
'Aquel que de voontade' from the *Cantigas de Santa María* (Alfonso X el Sabio, 1221-1284)
JY: long-necked lute
25. Cittern 1:02
Virelai 'Quant je sui mis' (Guillaume de Machaut)
MR: gittern
26. Citole 1:46
English dance (Anon. 13th century)
JY: citole
27. Rebec 1:05
La septime estampie real (Anon. 13th century, French)
ES: treble rebec, JY: citole, OB: tromba marina, DC: nakers
28: Fiddle 1:26
Ballata 'Poi che da te mi convien' (Francesco Landini, c. 1325-1397)
ES: fiddle, CH: harp
29. Bowed lyre 1:35
Virelai 'Comment qu'a moy' (Guillaume de Machaut)
OB: bowed lyre
30. Tromba marina 1:05
Improvised fanfare / Motet 'Quant ie le voi - Bon vin doit - Cis chans veult boire' from the *Roman de Fauvel* (completed 1316) (Anon. early 14th century, French)
OB: tromba marina, JY: lute, DM: flute
CD 2 58:12
THE RENAISSANCE
woodwind
1. Shawm 2:13
Two courantes from *Newe teutsche weltliche Gesänglein*, 1613 (Samuel Voelckel, c. 1560-after 1617)
DM: soprano shawm, playing soprano and alto parts, alto shawm, tenor shawm, DC: side drum without snare
2. Curtal 1:45
Chanson 'Ce qui souloit' based on a chanson by Pierre Sandrin (c. 1490-after 1560) from *Le Premier Livre des chansons*, 1554 (Tielman Susato, 1510/15-c. 1570)
DM: soprano curtal, tenor curtal, AB: bass curtal
3. Rackett 1:30
Caro ortolano from *Il primo libro de balli, 1578 (Giorgio Mainerio, c 1535-1582)
DM: tenor rackett, JT: bass rackett, AL: quart-bass rackett, AB: great-bass rackett
4. Crumhorn 2:09
Padouana from *Banchetto Musicale*, 1617 (Johann Schein, 1586-1630)
DM: alto crumhorn, AB: alto crumhorn, JY: tenor crumhorn, OB: bass crumhorn
Schein specifically prescribes crumhorns for this piece
5. Cornamuse 1:11
Bicinium 'Le cuer de vous' from Georg Rhaw's *Bicinia gallica et latina*, 1545 (Antonio Gardano, c. 1509-1569)
DM: soprano cornamuse, AB: alto cornamuse
6. Kortholt 1:23
Bicinium 'Mon petit cuer' from *Bicinia gallica et latina*, 1545 (Guillaume le Heurteur, fl. 1530-1545)
AB: tenor kortholt, DM: bass kortholt
7. Rauschpfeife 1:33
Three Bransles Doubles from *Terpsichore*, 1612 (Michael Praetorius, 1571-1621)
DM: sopranino rauschpfeife, JY: soprano rauschpfeife, AB: soprano rauschpfeife, OB: alto rauschpfeife, AL: tenor sackbut, DC: tabor
8. Flute 1:26
Chanson 'Amor me poingt' from Pierre Attaingnant's second book of *Chansons musicales*, 1533 (Claudin de Sermisy, c. 1490-1562)
JT, DM: alto flutes, AL: tenor flute, JY: bass flute
9. Recorder (a): 8' Consort 2:17
Chanson 'Hellas! Amour' from Pierre Attaingnant's second book of *Chansons musicales*, 1533 (Guillaume le Heurteur)
DM: tenor recorder, JT: bass recorder, AL: quart-bass recorder, AB: great-bass recorder
10. Recorder (b): 4' Consort 1:22
The Fairie Round from *Pavans, Galliards, Almains and other short aeirs*, 1599 (Anthony Holborne, c. 1545-1602)
JT, AL: soprano recorders, AB: alto recorder, JY: tenor recorder, OB: bass recorder, DM: bass courtaut
Keyboard
11. Renaissance organ 2:20
Entrada réal (Pedro de Soto, late 16th century)
PB: organ
12. Regal 1:35
(a) Prelude 'Ascensus simplex' from the *Sundamentum organisandi*, 1452 (Conrad Paumann, c. 1410-1473)
(b) 'Min Hertz hat sich ser gefrowet' from the *Buxheimer Orgelbuch*, compiled c. 1470 (Anon. 15th century, German)
CH: regal
13. Harpsichord 1:57
Toccata from the *Naples MS* (Giovanni Salvatore, fl. c. 1600)
CH: harpsichord
14. Virginals 2:35
Variations on the Romanesca from the *Dublin Virginal Book*, c. 1570 (Anon. 16th century)
CH: virginals
15. Xylophone 0:57
Ballo Francese from *Il primo libro di balli*, 1578 (Giorgio Mainerio)
DC: xylophone, PW: tenor viol, JR: bass viol, TJ: bass viol, OB: violone, NN: lute, AB: quart-bass rackett
Brass
16. Trumpet 1:26
(a) Unmuted
Toccata from *Orfeo*, 1607 (Claudio Monteverdi, 1567-1643) (with additional part for 2 kettledrums)
ML, MS: natural trumpets, RB, AL: tenor sackbuts, MN: bass sackbut, DC: kettledrums
(b) Muted
Toccata from *Orfeo*, 1607
ML, MS: natural trumpets, RB, AL: tenor sackbuts, MN: bass sackbut
17. Sackbut 2:59
(a) Solo
Adagio and Allegro from *Sonata for trombone, two violins and continuo* (Heinrich Biber, 1644-1704)
AL: tenor sackbut, CH: organ
(b) Consort
'Lobt Gott ihr Christen alle gleich' from *Musae Sionae IV* (Michael Praetorius)
ML: soprano sackbut, RB: alto sackbut, AL: tenor sackbut, MN: bass sackbut
18. Cornett 3:08
Canzona for 'due canti' from *Canzoni da sonare*, 1634 (Girolamo Frescobaldi, 1583-1643)
ML: cornett, IW: cornett, DM: tenor curtal, CH: organ
19. Alto and tenor cornett 1:22
Bicinium 'Amour cruel' from *Bicinia gallica et latina*, 1545 (Pierre de Manchicourt, c. 1510-1564)
ML: alto cornett, AL: tenor cornett
20. Serpent 2:22
Canzona Quarta for 'basso solo' from *Canzoni da sonare*, 1634 (Girolamo Frescobaldi)
AL: serpent, RS: chitarrone, OB: violone, CH: organ
Strings
21. Lute 1:44
'Orlando sleepeth' (John Dowland, 1562-1626)
JY: lute
22. Theorbo 1:48
A Fancy - Praelude, or Voluntary from *Musick's Monument*, 1676 (Thomas Mace, 1612/2-?1706)
JY: theorbo
23. Mandora 1:06
Ballo Anglese from *Il primo libro di balli*, 1578 (Giorgio Mainerio)
JY: mandora, PW: violin, TJ: bass viol, NN: bass viol, OB: violone
24. Cittern 2:22
Galliarde for cittern and bass from *The Cittharn Schoole*, 1597 (Anthony Holborne)
JY: cittern, OB: bass viol
25. Ceterone 1:44
Toccata prima from the *Intavolatura di liuto, et di chitarrone*, 1623 (Alessandro Piccinini, 1566-c. 1638)
JY: ceterone
26. Bandora 0:50
Galliard from the *Braye bandora MS*, c. 1600 (John Dowland)
RS: bandora
27. Orpharion 1:36
Duet 'Le Rossignol' from *Jane Pickering's Lute Book*, 1616
JY: orpharion, RS: lute
28, Vihuela 2:50
Fantasia XI from *El maestro*, 1536 (Luis Milán, c. 1500-after 1560)
JY: vihuela
29. Guitar 1:32
Pavana (Variations on the Romanesca) from the *Braye Lute Book*, c. 1560 (Anon. 16th century)
RS: guitar
30. Viol 3:21
(a) Consort
Fantasy in four parts (*superius* part reconstructed by Thurston Dart) (William Byrd, 1543-1623)
CM: treble viol, JY: tenor viol, JR: bass viol, OB: bass viol
(b) Lyra viol
Duet 'Forget me not' (Thomas Ford, d. 1648)
OB: bass viol, JY: tenor viol
31. Violin 1:32
La volta (Anon. 16th century)
ES: violin, OB: viol, JY: lute
THE EARLY MUSIC CONSORT OF LONDON
David Munrow: DM
Andrew vana der Beek: AB
Paul Bernard: PB
Roger Brenner: RB
Oliver Brookes: OB
David Corkhill: DC
Christopher Hogwood: CH
Trevor Jones: TJ
Michael Laird: ML
Alan Lumsden: AL
Catherine Mackintosh: CM
Martin Nicholls: MN
Nigel North: NN
Gillian Reid: GR
Mary Remnant: MR
Jane Ryan: JR
Eleanor Sloan: ES
Malcolm Smith: MS
Robert Spencer: RS
John Turner: JT
James Tyler: JY
Polly Waterfield: PW
Iaan Wilson: IW
David Munrow: direction
Recording: London, Abbey Road Studios, March, April, September 1973 & February 1974
Producer: John Willan
Balance engineer: Stuart Eltham
Introduction: Mark Audus, Adélaïde de Place
Ubersetzung: Gudrun Meier
Cover: Musicians from the *Beatae Elisabeth Psalter*, 13th century (detail)
Design: Sacha Davison Lunt
◆本CDについて◆
スリムタイプの二枚組用ジュエルケース入り。ブックレット（全16頁）に解説（英・独・仏）。
デイヴィッド・マンロウ指揮ロンドン古楽コンソート「中世・ルネサンスの楽器」。オリジナルは1976年に二枚組LPとして、マンロウによる図版入り解説本（100頁）を付してリリースされました。
本CDは廉価盤なので、ブックレットに記載されているのは最小限のデータと短い新規解説のみですが、これを繰り返してきいておけば楽器名とその音色がおぼえられるので、中世・ルネサンス音楽をきくときに「これはクラムホルンだな」「これはサックバットだな」とわかるようになるのでよいです。名曲の名演を楽しみながら古楽の勉強にもなる、クレマンシックの『古笛の響き』と共に、古き良き時代の「面白くて為になる」啓蒙CDでした。
★★★★★
Shawm - Saltarello
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